Buggered Mind of Neale Sourna, The

Opines, comments, rants, concerns, imaginings from Neale Sourna, fiction author and more -- www.Neale-Sourna.com, www.PIE-Percept.com, www.ProjectKeanu.com, www.AuthorsDen.com/nealesourna, www.CafeShops.com/NealeSourna, www.Writing-Naked.com, and www.CuntSinger.com

Monday, December 27, 2010

Civil War message opened, decoded: No help coming by Steve Szkotak, Associated Press

In this Jan. 14, 2009 image shows a Civil War bottle with a message that was tucked inside at the Museum of the Confederacy in Richmond, Va. The messa AP – In this Jan. 14, 2009 image shows a Civil War bottle with a message that was tucked inside at the Museum …
By STEVE SZKOTAK, Associated Press Steve Szkotak, Associated Press – Sat Dec 25, 2010

RICHMOND, Va. – A glass vial stopped with a cork during the Civil War has been opened, revealing a coded message to the desperate Confederate commander in Vicksburg on the day the Mississippi city fell to Union forces 147 years ago.

The dispatch offered no hope to doomed Lt. Gen. John C. Pemberton: Reinforcements are not on the way.

The encrypted, 6-line message was dated July 4, 1863, the date of Pemberton's surrender to Union forces led by Ulysses S. Grant, ending the Siege of Vicksburg in what historians say was a turning point midway into the Civil War.

The message is from a Confederate commander on the west side of the Mississippi River across from Pemberton.

"He's saying, 'I can't help you. I have no troops, I have no supplies, I have no way to get over there,' " Museum of the Confederacy collections manager Catherine M. Wright said of the author of the dispiriting message. "It was just another punctuation mark to just how desperate and dire everything was."

The bottle, less than 2 inches in length, had sat undisturbed at the museum since 1896. It was a gift from Capt. William A. Smith, of King George County, who served during the Vicksburg siege.

It was Wright who decided to investigate the contents of the strange little bottle containing a tightly wrapped note, a .38-caliber bullet and a white thread.

"Just sort of a curiosity thing," said Wright. "This notion of, do we have any idea what his message says?"

The answer was no.

Wright asked a local art conservator, Scott Nolley, to examine the clear vial before she attempted to open it. He looked at the bottle under an electron microscope and discovered that salt had bonded the cork tightly to the bottle's mouth. He put the bottle on a hotplate to expand the glass, used a scalpel to loosen the cork, then gently plucked it out with tweezers.

The sewing thread was looped around the 6 1/2-by-2 1/2-inch paper, which was folded to fit into the bottle. The rolled message was removed and taken to a paper conservator, who successfully unfurled the message.

But the coded message, which appears to be a random collection of letters, did not reveal itself immediately.

Eager to learn the meaning of the code, Wright took the message home for the weekend to decipher. She had no success.

A retired CIA code breaker, David Gaddy, was contacted, and he cracked the code in several weeks.

A Navy cryptologist independently confirmed Gaddy's interpretation. Cmdr. John B. Hunter, an information warfare officer, said he deciphered the code over two weeks while on deployment aboard an aircraft carrier in the Pacific. A computer could have unscrambled the words in a fraction of the time.

"To me, it was not that difficult," he said. "I had fun with this and it took me longer than I should have."

The code is called the "Vigenere cipher," a centuries-old encryption in which letters of the alphabet are shifted a set number of places so an "a" would become a "d" — essentially, creating words with different letter combinations.

The code was widely used by Southern forces during the Civil War, according to Civil War Times Illustrated.

The source of the message was likely Maj. Gen. John G. Walker, of the Texas Division, who had under his command William Smith, the donor of the bottle.

The full text of the message to Pemberton reads:

"Gen'l Pemberton:

You can expect no help from this side of the river. Let Gen'l Johnston know, if possible, when you can attack the same point on the enemy's lines. Inform me also and I will endeavor to make a diversion. I have sent some caps (explosive devices). I subjoin a despatch from General Johnston."

The last line, Wright said, seems to suggest a separate delivery to Pemberton would be the code to break the message.

"The date of this message clearly indicates that this person has no idea that the city is about to be surrendered," she said.

The Johnston mention in the dispatch is Gen. Joseph E. Johnston, whose 32,000 troops were encamped south of Vicksburg and prevented from assisting Pemberton by Grant's 35,000 Union troops. Pemberton had held out hope that Johnston would eventually come to his aid.

The message was dispatched during an especially terrible time in Vicksburg. Grant was unsuccessful in defeating Pemberton's troops on two occasions, so the Union commander instead decided to encircle the city and block the flow of supplies or support.

Many in the city resorted to eating cats, dogs and leather. Soup was made from wallpaper paste.

After a six-week siege, Pemberton relented. Vicksburg, so scarred by the experience, refused to celebrate July 4 for the next 80 years.

So what about the bullet in the bottom of the bottle?

Wright suspects the messenger was instructed to toss the bottle into the river if Union troops intercepted his passage. The weight of the bullet would have carried the corked bottle to the bottom, she said.

For Pemberton, the bottle is symbolic of his lost cause: the bad news never made it to him.

The Confederate messenger probably arrived to the river's edge and saw a U.S. flag flying over the city.

"He figured out what was going on and said, 'Well, this is pointless,' and turned back," Wright said.

___

Online:

Museum of the Confederacy: http://www.moc.org

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Sunday, April 18, 2010

Cleveland City Club--Slavery by Another Name: The Re-Enslavement of Black Americans from..

CLEVELAND'S CITY CLUB FORUM
April 16, 2010 featuring Douglas A. Blackmon, Author and Pulitzer Prize Winner.

Douglas A. Blackmon, Author and Winner of the 2009 Pulitzer Prize in the General Nonfiction category, speaks about his award winning book "Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II.

Download Duration:
00:56:31 Published: Fri, Apr 16, 2010 12:00:00 -0500

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Saturday, November 07, 2009

There's NOTHING WRONG with SEEKING PLEASURE and ENTERTAINMENTS

There's NOTHING WRONG with SEEKING PLEASURE and ENTERTAINMENTS

"Although some say otherwise; there is NOTHING WRONG with SEEKING PLEASURE and ENTERTAINMENTS that bring true satisfaction and joys which hurt no one.

"In fact, they PUT YOU IN A GREAT AND LOVELY MOOD, which is great for everyone!

"And, really, SEEKING SADNESS instead of SEEKING JOY is truly a sad business to be about, and a more suspicious activity than pleasure and joy seeking.

"Joy is a SMILE, a GREAT FEELING, and ECSTASY without limits.

"It's as seamless as an egg.

"I recall when my busstop, ironically, was at the seminary, and it became odd, or inevitable, that while being at school all the CONFLICTS of STRIVING and MONEY and COMPETITION came to be ... tiresome.

"THERE IS MORE TO LIFE than work and bills and, well, more bills. And more work.

"There is the SENSUAL, as well as, the SPIRITUAL--and these two DO NOT HAVE TO COMPETE OR CONFLICT OR WAR AGAINST EACH OTHER.

"So, don't you make them do so.

"There is language, both SENSUAL AND SPIRITUAL, language constructed of words and gestures and tones and more layers of WHAT YOU FEEL AND ARE, which can lead us in and out and into so many PLEASURES and JOYS.

"PERPETUAL, AROUSING JOY!"

--Neale Sourna


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Friday, March 23, 2007

Ex-Persia Iran outraged by 'derogatory depictions of ancient Persia' in '300' movie

No one's considered that in the time of the ancient's this graphic view is how they of the wonderful Greek, independent, reason driven city states of that far day imagined and saw the east, whether Persia, Far East, or Egypt; decadent, other, wrong.

Remember when soldiers from the north and African American slaves of the Civil war had tails?

Odd that, perhaps, this hasn't changed in 2500 years.

Or it has, and we can have fun with it.

And then again, the Iranians who no longer wish to be called Persians, except when it's historically cool, mayhaps, should not have changed their name [changed to distance themselves from their former leader the decadent westernized Shah and his new Persia, right? Or wrong?]. And maybe they shouldn't be watching decadent western films.

Neale Sourna
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Iran outraged by 'derogatory depictions of ancient Persia' in '300' movie
Thu Mar 22, 9:48 PM
By Edith M. Lederer

UNITED NATIONS (AP) - Iran's UN Mission expressed outrage Thursday at "deliberate distortions" of ancient Persia in the blockbuster movie "300" and suggested it is propaganda for western efforts to "demonize the Iranian nation."

In a statement, the mission denounced the "crude demonization of Persians as the embodiment of evil, moral corruption."

The movie, which raked in US$70 million in its opening weekend, is based on a comic-book fantasy version of the battle of Thermopylae in 480 B.C., in which a force of 300 Spartans held off a massive Persian army at a mountain pass in Greece for three days.

Even some U.S. reviewers noted the political overtones of the West-against-Iran storyline - and the way Persians in the movie are depicted as decadent, sexually flamboyant and evil in contrast to the noble Greeks.

The mission's statement came amid a standoff between Iran and the UN Security Council over the Islamic country's nuclear program.

Paul Cartledge, professor of Greek history at Cambridge University in England who consulted on both the movie and an exhibit, said earlier this month the film is good entertainment, though not as "a documentary of what actually happened at Thermopylae" or of the situation in Greece and Persia at that time.

"The movie both suggests what is false - that the Persian king was an outlandish giant with multiple piercings, etc. - and suppresses what is true - the Spartans were in fact fighting as the lead members of a Greek alliance," he said.

Cartledge also said the Persian Empire "was not a one-dimensional barbaric despotism but actually quite civilized and tolerant in many ways - even if by no means well disposed to Greek-style democracy."

The statement from Iran's UN Mission asked: "Why the film fails to convey a bare minimum truth about Iranian history and indulges in invention perverse, demonic images of Persians."
"Indeed, the movie's distorted fabrications about the Persians cannot be isolated from the current concerted efforts by certain western interest circles to systematically demonize the Iranian nation," the mission added.

"The movie's slavish imitation of the anti-Iran discourses by those circles is inextricably tied up with its voice-over metaphoric thrust, reflecting a subtle propaganda that feels no obligation to respecting the sensibilities of the Iranian people."

The film touched a sensitive nerve in Iran, even though it will probably never open there because of the government's restrictions on western films. The cultural advisor to Iranian President Mahmoud Ahmadinejad denounced it, Iranian television ran several commentaries calling the film insulting and Iranian film directors have pointed to its historical inaccuracies.

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